In this video, Brett Stewart from Technical Intuition provides a practical walkthrough on how to execute Stage 4 of Remote Viewing. While Part 1 of this series focused on the theory behind the columns, Part 2 is all about the mechanics: how to move your pen, how to prompt your unconscious mind, and how to avoid the common pitfalls that lead to “imagination land.”
Mastering the Flow of Stage 4
The core of Stage 4 is the transition from raw sensory data to more complex concepts. Brett emphasizes that the process is not just about writing words, but about maintaining a clean “signal line” (your connection to the target).
A key takeaway is the “Two-Thirds Rule.” To prevent “saturation”—where you lose the psychic signal and start making things up—it is recommended to stop once you reach about two-thirds of the way down your page [03:04]. This ensures you don’t spend too much time in one area (like sensory colors or textures) and miss out on higher-level data like tangibles or intangible ideas.
The video also warns against “homesteading.” This happens when a viewer gets stuck in the sensory (S) and dimension (D) columns for too long. Instead, you should aim for “information clusters”—small bursts of 3-5 words—and then move your pen horizontally across the columns to prompt for deeper data like emotional impacts (EI) or physical objects (T) [05:22].
Step-by-Step Learning Guide
To perform Stage 4 effectively, follow these steps as demonstrated in the video:
- The Carriage Return Method Treat every new word like a line on an old typewriter. Write one descriptor per line, moving down the page for every new piece of data [01:06].
- Prompting with the Pen Place the tip of your pen in a specific column (e.g., Sensory). Think of the pen touching the paper as a “ping” to your unconscious mind, asking for that specific type of data [01:34].
- Create Information Clusters Start in the Sensory (S) and Dimension (D) columns. Gather a quick cluster of 3-4 words (e.g., “red,” “round,” “rough”). If you write a word in the wrong column, simply draw an arrow to the correct one—don’t cross it out [04:55].
- Shift to Internal Reactions (AI & EI) Move your pen to the Aesthetic Impact (AI) column to record your personal reaction (e.g., “AI-observant” or “AI-excited”). This helps “vent” your emotions so they don’t color the target data [06:12].
- Identify Tangibles (T) and Intangibles (I) Move to the Tangible column. Start with low-level nouns like “object” or “thing” and then refine them. If you get a word like “man-made” or “practical,” move those into the Intangible column [07:25].
- The “AOL” Safety Valve Always keep an eye on the AOL (Analytic Overlay) column. If your mind starts guessing specific names (e.g., “it’s a car” or “it’s a balloon”), write it in the AOL column to acknowledge the imagination and clear it from your workspace [09:41].
- Respect the Stop Point Once you hit the imaginary two-thirds mark on your paper, end the session or move to the next stage to ensure your data remains high-quality and free from mental “noise” [08:40].
Watch the full video here: https://youtu.be/RxqlOh0pBKE